Explore my personal collection of vintage cameras, Polaroids, analog photography gear, and camera manuals, along with sample photos I’ve taken. Some cameras are still in use, while others are simply here to admire.
Functional & Operating
- Burke & James Press Camera (1950's)
- Stereo Realist (1950's)
- Vest Pocket Kodak (1910's)
- Asahi Pentax ME (1970's)
- Mamiya RZ67
- Argus & Cosina 706 Super 8 Video Camera
Untested, or Testing in Progress
- Polaroid flashgun #268
- Argus Argoflex Seventy-Five
- Kodak Duaflex III
- Minolta 16 Spy Camera
- Ansco Pix Panorama
- Kodak Stereo Camera
Shelf Trophies (Not Functional)
- Original Polaroid Land Camera, Model 95 (1940's)
- Polaroid Land Camera, Model 80A (1950's)
- Polaroid Land Camera, Model 80B (1950's)
Burke & James Press Camera
The Burke & James Press Camera was a workhorse for photojournalists in the mid-20th century, known for its sturdy build and large-format negatives that delivered incredible detail. My model dates to the 1950s and is currently being cleaned and refurbished. The seller I purchased it from confirmed it’s still in working condition, and I’m excited to eventually put it back into use with fresh film and see what kind of results it can produce.
Stereo Realist
The Stereo Realist, introduced in the early 1950s, became one of the most iconic 3D cameras of its time. It used 35mm film to capture paired images that, when viewed through a stereoscope, created a striking sense of depth and realism. My model is still fully functional, and I love how its dual lenses capture small, everyday scenes in vivid detail — turning simple moments into immersive 3D memories.
Vest Pocket Kodak
The Vest Pocket Kodak, introduced in the 1910s, was one of Kodak’s most popular cameras at the time and helped make photography truly portable. Designed to fold down small enough to fit in a coat pocket (smaller than an iPhone!), it was often carried by soldiers and travelers during World War I. My model still folds and clicks beautifully, and I love how its simple mechanism captures soft, ghostly images that feel both fragile and timeless.
Asahi Pentax ME
The Asahi Pentax ME, released in the late 1970s, was a compact 35mm film SLR known for its simplicity and reliability. With its aperture-priority automation and lightweight metal body, it became a favorite among both hobbyists and street photographers. Mine is still fully functional, and I love how intuitive it feels to shoot with. It bridges the gap between classic mechanical cameras and the modern era of film design.
Mamiya RZ67
The Mamiya RZ67 (I call mine “the Brick”), introduced in the early 1980s, is a professional medium-format camera known for its sharp lenses, modular design, and precise control. It became a studio favorite for portrait and fashion photography but also produces stunning landscape and still-life images. Mine is fully operational and continues to deliver beautifully detailed negatives that remind me why film photography still holds such a special place in my process.
